المرايا العاكسة في رواية (حامل الوردة الأرجوانيّة) لأنطوان الدويهي بحث في بلاغة الرواية

Abstract

This research seeks to explore narrative manifestations that are usually diverse in form and shape, and almost from the idea of the reflective mirror, seeking to include them in a single system through the rhetorical understanding of these manifestations so that they can be interpreted in a mirror. Inspiration from rhetoric here is dependent on the nature of rhetorical arts, especially in the sciences of rhetoric and stylistics, as the mechanism of the formation of rhetorical art is invested to describe the narrative manifestation when it encounters the imaginary world at the level of semantic structure. Understanding the narrative manifestation in a mirror requires that the relationship between the mirror and what it reflects be a relationship of balance in which the two pillars meet, so the process of externalization occurs through its mirror interpretation. This relationship becomes a condition for the narrative manifestation to accept entering into a process of reflection, and this is similar to what happens in the rhetorical style, when one of its pillars is absent or silent, the second pillar present speaks it out or leads to it or hides it. Ultimately, the gains of this treatment are added to the poetics of the novel.