الاتجاه الواقعي في النصّ المسرحي ــ القتيل والقاتلة ــ لـصباح الأنباريّ

Abstract

The research study of (The Realistic Trend in the Text of the Al-Katell Wa Al-Katella translated as (the Dead and the Murdered) by Sabah Al-Anbari , is one of the serious studies, as it comes in the context of shedding light on that vital trend in writing the theater text, the realistic trend, and then this trend - represented in Al-Anbari's text, the dead and the murdered, is an applied theoretical approach, which meets the clarification or monitoring of this pattern with its technical mechanisms and tools, which constitute a clear and mutual interaction between the writer and the subject of the play; within the portrayal of reality and its characters, and from his artistic point of view, not the literal transfer of this reality, away from imagination, complexity, and interpretation. The research is a theoretical and applied approach that clarifies or monitors this pattern in terms of its mechanisms and artistic tools, which constitute a clear and mutual interaction between the writer and the subject of the play; within the portrayal of reality and its characters, and from his artistic point of view, not the literal transfer of this reality, away from imagination, complexity, and interpretation, revealing the events and circumstances of reality and its objective conditions, through events and characters carrying the ideas of their era, its nature and political, social and cultural conditions, according to a traditional dramatic structure (beginning, middle and end), as well as the technical elements of an event, plot, conflict, characters, dialogue, and time. 

                The play and the writer's ability to employ a violent conflict within the events linking the characters of the play. The conflict constituted here a distinctive dramatic element in terms of the quality and escalation of the construction and dramatic movement towards the climax and then the solution, but the writer's successful employment of the element of conflict was an effective dramatic line, as the conflict is the main pillar on which the drama is built.